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Clarice Orsini (1453–1488) was an influential figure in the Italian Renaissance, primarily known as the wife of Lorenzo de’ Medici, also known as Lorenzo the Magnificent. Her marriage brought a blend of political alliance and personal strength to one of the most significant periods in Florentine history.

Who among us did not focus on watching the beautiful liberty building of Borgognissanti. In the place where tradition wants Sandro Botticelli, the beautiful building built by the architect Giovanni Michelazzi on behalf of a member of the Vichi family, stands among the large monuments of the surrounding area.

During the period of Florence as capital Palazzo Vecchio became for obvious reasons the center of power of the new Italian State. Inside, due to the size of the various rooms, the Chamber of Deputies, the Senate and the Ministry of Foreign Affairs were placed. But at that point the problem arose of the municipal offices, where to place all the aforementioned rooms with the staff? As often happens in our times, even at the time the Municipality owned various properties in the city, a medieval building was chosen for its size and proximity to the city’s center of power: Palazzo Spini Feroni.

The sculptor’s mature work invites the viewer to walk around the statue in order to appreciate all the details, a new concept compared to the classic way of seeing the statue from the front. After the expulsion of the Medici family in 1494, the Florentine government decided to place this work in front of Palazzo Vecchio, but why all this? It was the image of a power that in a certain way tended to limit the true republican independence of Florence, therefore Giuditta represents the Florentine Republic which cuts off the head of Holofernes who embodies tyranny, a true model or “manifesto” which speaks of the political reality of the city.