Tradition

What we see in the photo is not the famous Raffaello masterpiece that many of you will certainly have already admired to the Uffizi. It is a copy and is located in the National Gallery of Capodimonte in Naples. It is said that one day Federico Gonzaga visiting Florence had been amazed by the beauty of this picture performed by Raffaello on behalf of Pope Leo X who had made himself portrayed together with the cousin Cardinal Giulio dei Medici (that is, the one destined to become Pope Clement VII) And to the other cardinal/cousin, Luigi de ‘Rossi. Federico Gonzaga asked that picture as a gift and Clement VII told him yes. When Ottaviano dei Medici he knew him a blow: no, he could not let herself leave lightly the masterpiece. So it was that Ottaviano decided to deceive the Pope, asking him for permission to be able to take the picture to equip him with a more beautiful frame. In reality Ottaviano called in secret Andrea del Sarto to make a copy, a copy that had to be perfect. Andrea del Sarto performed it. The result is what we see in the photo: I challenge anyone to recognize it from the original of Raffaello. The “crust”, if you can speak of crust, was sent to Mantua. Among other things, Giulio Romano, ex-Collaborator, indeed, worked in Mantua, indeed, Raffaello’s right arm, who had also taken part in the drafting of the original picture. It seems that not even he realized that it was a copy, so much had been well performed by Andrea Del Sarto who was not for nothing, the “painter without errors” was nicknamed.

A vibrant districts with distinct locations are: strolling aimlessly and allowing yourself to be taken aback by the numerous artisan stores in our tours we are suggesting some; one of our favorites is situated on the ground floor in front of the Chesa di Sant Spirito Number 12 following turning right through the atrium gate, Giuliano Ricci’ artisan laboratory awaits you. Stefano is one of the remaining masters of copper decorating. This is an activity that we may recommend if you wish to have a special experience while in Florence. One of Florence’s newest traditional butchers may be found on the same street as Santo Spirito.

Recalling that in 1038, it was given the name Por “Santa Maria” and acquired the appellation “above Porta” due to its location at the southern entrance of the Carolingian fortifications. Here, in 1216, the combination marriage of Buondelmonte de ‘Buondelmonti and reparata of Lambertuccio degli Amboi was required; however, the bride’s rejection resulted in the customary partition of the city into two factions, subsequently referred to as Ghibellines and Guelphs. Additionally, this is the suggestion that Moscow’s Lamberti would have given, using the well-known statement that the head made to persuade the Hamidii to assassinate Buondelmonte. Ghibeline families, including the Uberti, Arrighi, Fifanti, and Ambreans, really made up the majority of the parish’s population.

Piazza San Florence has altered several times over time, beginning with the Roman era, when the city’s defenses were built here. If you walk in front of the Bargello Museum, you will notice a semi-circle on the street that marks the Roman tower unearthed by Annifa beneath the road surface. One of these little-known improvements is located just near to the Bargello Museum. We are discussing the church of S.Apollinare in its distinctive form, but it is a rather ordinary building. In truth, that little church was one of the twelve churches of the Priories of Florence, possibly built in the sixth century AD under the control of the Goths of Theodoric, and was dedicated to Apollinare, a Ravenna martyr of Syrian ancestry. The two notarial acts of January and February 1065 are dated back to the mid-twentieth century… “Vinea Sancti APPOLENARI” (the vineyards of S.Apollinare, at that time there were vineyards worked by the monks) and “Petium Terre Posite Extra Muros Civitatis Florentie Prope Ecclesiam Sancti Apollinaris” (request for land located outside the walls of the city of Florence near the church of Sant’Apollinare).